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Post by mossy on Jan 31, 2018 11:53:06 GMT -5
www.nme.com/music-interviews/johnny-marr-interview-noel-gallagher-new-album-maxine-peake-hans-zimmer-2206723Apparently Johnny Marr played on another song which didn’t make it on the alboom... yet we get instrumentals for b-sides... You played on Noel Gallagher’s latest album. Did he return the favour? “Not yet, because he’s always playing. He’s always on the road. That’s the second time I’ve played on one of his solo records now, so hopefully we’ll get around to working on my stuff. He’s always off in exotic places every time I hear from him – like some enormodome in South America. “I liked his record. I played on a couple, but the song that ended up on the record is actually my favourite on the album. I was pleased about that, ‘Love Is The Law’. I’ve never heard a rock song like it. It hangs together like nothing else. It’s like a fucking movie.” When you were in the studio, did you feel like he was pushing himself into a more adventurous place? “Yeah, before we went into the studio I knew that anyway. We see each other on and off, and I know that he knew he was onto something. He and David [Holmes, producer] were working at every opportunity. “I knew it was good because he told me it was good. Nothing with David is out of bounds, as long as it feels good and sounds good. They’re a good team because Noel can get a good melody over anything. What he’s proven with his solo stuff is that he’s still writing with the spirit that people love him for, but you can’t really imagine Oasis doing.”
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Post by Deleted on Jan 31, 2018 13:28:47 GMT -5
That photo of Johnny and Noel together is like a Before and After advert for Just for Men.
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Post by rockrevival on Jan 31, 2018 17:06:22 GMT -5
"I’ve never heard a rock song like it. It hangs together like nothing else. It’s like a fucking movie.” Why do they keep playing the "it's a revolutionary record" card? I really don't get it. It's a nice song, one of my favourites from WBTM actually. But it sounds like every folk tune from the 60s....there's nothing really experimental and revolutionary about this particular song..
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Post by standbymoi on Jan 31, 2018 17:23:00 GMT -5
That photo of Johnny and Noel together is like a Before and After advert for Just for Men. Marr seriously needs to go for a lighter brown colour, that jet black looks like a wig.
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Post by Spaceman on Jan 31, 2018 17:29:56 GMT -5
"I’ve never heard a rock song like it. It hangs together like nothing else. It’s like a fucking movie.” Why do they keep playing the "it's a revolutionary record" card? I really don't get it. It's a nice song, one of my favourites from WBTM actually. But it sounds like every folk tune from the 60s....there's nothing really experimental and revolutionary about this particular song.. Brown nosing tbh
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Post by marqueemoon on Jan 31, 2018 18:20:03 GMT -5
I love Marr, one of my heroes, but I have no idea what he's going on about here.
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Post by Lennon2217 on Jan 31, 2018 18:37:30 GMT -5
www.nme.com/music-interviews/johnny-marr-interview-noel-gallagher-new-album-maxine-peake-hans-zimmer-2206723Apparently Johnny Marr played on another song which didn’t make it on the alboom... yet we get instrumentals for b-sides... You played on Noel Gallagher’s latest album. Did he return the favour? “Not yet, because he’s always playing. He’s always on the road. That’s the second time I’ve played on one of his solo records now, so hopefully we’ll get around to working on my stuff. He’s always off in exotic places every time I hear from him – like some enormodome in South America. “I liked his record. I played on a couple, but the song that ended up on the record is actually my favourite on the album. I was pleased about that, ‘Love Is The Law’. I’ve never heard a rock song like it. It hangs together like nothing else. It’s like a fucking movie.” When you were in the studio, did you feel like he was pushing himself into a more adventurous place? “Yeah, before we went into the studio I knew that anyway. We see each other on and off, and I know that he knew he was onto something. He and David [Holmes, producer] were working at every opportunity. “I knew it was good because he told me it was good. Nothing with David is out of bounds, as long as it feels good and sounds good. They’re a good team because Noel can get a good melody over anything. What he’s proven with his solo stuff is that he’s still writing with the spirit that people love him for, but you can’t really imagine Oasis doing.” Noel gonna Noel.
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Post by sfsorrow on Jan 31, 2018 19:02:03 GMT -5
"I’ve never heard a rock song like it. It hangs together like nothing else. It’s like a fucking movie.” Why do they keep playing the "it's a revolutionary record" card? I really don't get it. It's a nice song, one of my favourites from WBTM actually. But it sounds like every folk tune from the 60s....there's nothing really experimental and revolutionary about this particular song.. Maybe not revolutionary but I don't hear any similarities to 60s folk tunes. It sounds more like Spector and The Beach Boys to me but, as Marr says, a bit more cinematic with a soaring chorus.
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Post by ricardogce on Feb 2, 2018 16:59:26 GMT -5
That photo of Johnny and Noel together is like a Before and After advert for Just for Men. Marr seriously needs to go for a lighter brown colour, that jet black looks like a wig. Maybe it is
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Post by SheSaidHerNameWasDot on Feb 2, 2018 17:12:03 GMT -5
It would seem it's still his own hair and not a rug. Completely dyed off his head, mind.
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Post by Deleted on Feb 2, 2018 17:33:32 GMT -5
Talk about putting a bit too much stock in your own hype, Johnny. You have done better than that as a solo artist yourself.
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Post by Deleted on Feb 2, 2018 18:44:17 GMT -5
How is that a decent haircut lol
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Post by playthehitsgetoff on Feb 3, 2018 2:20:18 GMT -5
If he has gone grey naturaly he shld stick with that.
My ex @47 was totally grey but he looked really cool wearing it.
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