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Post by GlastoEls on Apr 20, 2020 2:16:06 GMT -5
To be successful they’ve gotta be good...
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Post by megyesitomate on Apr 20, 2020 21:37:09 GMT -5
I CAN'T SLEEP. I can't wrap my head around the fact that he played The World's Not Set In Stone last year in Cardiff. I mean, the band must've rehearsed it possibly for hours. He must've had to go through the struggles of learning the lyrics all over again. And prior to all that, he must've gone through the whole Beady Eye catalogue and say that yes, out of all these excellent song, this is the one I want to perform. And then he played it only once throughout the whole tour. Why??? I NEED ANSWERS.
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Post by Flashbax on Apr 21, 2020 4:55:04 GMT -5
I CAN'T SLEEP. I can't wrap my head around the fact that he played The World's Not Set In Stone last year in Cardiff. I mean, the band must've rehearsed it possibly for hours. He must've had to go through the struggles of learning the lyrics all over again. And prior to all that, he must've gone through the whole Beady Eye catalogue and say that yes, out of all these excellent song, this is the one I want to perform. And then he played it only once throughout the whole tour. Why??? I NEED ANSWERS. What about One of Us? Or Now That I Found You? A real shame that these songs were dropped so quickly.
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Post by The Thieving Magpie on Apr 21, 2020 6:44:00 GMT -5
If you want to know Liam' voice condition, should listen to "All your dreams are made" line on Morning Glory. If He could sing decent that line, He is good condition.
For example
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Post by Rolo on Apr 21, 2020 16:26:39 GMT -5
Would absolutely love Liam to work with Black Rebel Motorcycle Club.
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Post by megyesitomate on Apr 21, 2020 16:55:19 GMT -5
I CAN'T SLEEP. I can't wrap my head around the fact that he played The World's Not Set In Stone last year in Cardiff. I mean, the band must've rehearsed it possibly for hours. He must've had to go through the struggles of learning the lyrics all over again. And prior to all that, he must've gone through the whole Beady Eye catalogue and say that yes, out of all these excellent song, this is the one I want to perform. And then he played it only once throughout the whole tour. Why??? I NEED ANSWERS. What about One of Us? Or Now That I Found You? A real shame that these songs were dropped so quickly. I don't like his recent setlists. They are too festival audience-friendly. Of course, if you are doing an actual festival gig, you want to include a lot of your widely popular songs and pop in a few tracks off you new album or something to promote yourself. But if you're doing a solo gig where the audience is there too see exclusively you, I think you should (and you very much could afford to) play more of your new release or more stuff that hasn't been played that often in the past. Obviously, the biggest classics always have to find their way into the setlist, but why not spice it up a bit?
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Post by powerage09 on Apr 25, 2020 17:50:26 GMT -5
Noel's band is full of ex Oasis members. Liam should bring in Alan White and Bonehead full time.
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Post by russiangenius on Apr 27, 2020 12:36:53 GMT -5
I always thought that Eh La is just... little song that shouldn't get more attention but after listening this version now I honestly think it's better than half of WM?WN. This acoustic guitar riff is decent, it makes unique atmosphere of something Oasis-ish
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Post by leron on Apr 27, 2020 13:44:46 GMT -5
fuckin great
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Post by Jack on Apr 28, 2020 13:37:54 GMT -5
Would absolutely love Liam to work with Black Rebel Motorcycle Club. You and me both. Would be the perfect collaboration.
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Post by World71R on Apr 28, 2020 16:46:59 GMT -5
Would absolutely love Liam to work with Black Rebel Motorcycle Club. You and me both. Would be the perfect collaboration. Anyone collaborators who aren't big, top 40-centric pop songwriters is good by me. The songs seem to have more soul and feeling to it when Liam is more closely involved in coming with the bones of the songs, and I think that's what WMWN? was missing. If you wanted to stick close to the top 40 sphere, get someone like Jack Antonoff. Otherwise, get someone like Gregg Alexander, Johnny Marr, or even Damon Albarn (wouldn't that be something?), who will bring a certain rock feel to the songs that doesn't instantly sound like it came straight from the past like several WMWN? songs fell into. Hell, one collaborator that would be amazing is Kevin Parker. That combination has potential, judging by Doesn't Have to Be That Way and Tame Impala's work.
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Post by themanwholivesinhell on Apr 28, 2020 16:56:34 GMT -5
You and me both. Would be the perfect collaboration. Anyone collaborators who aren't big, top 40-centric pop songwriters is good by me. The songs seem to have more soul and feeling to it when Liam is more closely involved in coming with the bones of the songs, and I think that's what WMWN? was missing. If you wanted to stick close to the top 40 sphere, get someone like Jack Antonoff. Otherwise, get someone like Gregg Alexander, Johnny Marr, or even Damon Albarn (wouldn't that be something?), who will bring a certain rock feel to the songs that doesn't instantly sound like it came straight from the past like several WMWN? songs fell into. Hell, one collaborator that would be amazing is Kevin Parker. That combination has potential, judging by Doesn't Have to Be That Way and Tame Impala's work. If Im honest, the reason why I don't mind Liam working with Kurstin and Wyatt is both were more experimental/indie musicians first, Kurstin with The Bird and The Bee, Wyatt with Miike Snow. A bit like Gregg Alexander with New Radicals i suppose, they were just good at their craft which attracted mainstream artists. Thats why im fine with them but wouldn't be as cool with people like Max Martin, Benny Blanco or Stargate, who are pop producers through and through.
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Post by Jack on Apr 28, 2020 17:10:21 GMT -5
Anyone collaborators who aren't big, top 40-centric pop songwriters is good by me. The songs seem to have more soul and feeling to it when Liam is more closely involved in coming with the bones of the songs, and I think that's what WMWN? was missing. If you wanted to stick close to the top 40 sphere, get someone like Jack Antonoff. Otherwise, get someone like Gregg Alexander, Johnny Marr, or even Damon Albarn (wouldn't that be something?), who will bring a certain rock feel to the songs that doesn't instantly sound like it came straight from the past like several WMWN? songs fell into. Hell, one collaborator that would be amazing is Kevin Parker. That combination has potential, judging by Doesn't Have to Be That Way and Tame Impala's work. If Im honest, the reason why I don't mind Liam working with Kurstin and Wyatt is both were more experimental/indie musicians first, Kurstin with The Bird and The Bee, Wyatt with Miike Snow. A bit like Gregg Alexander with New Radicals i suppose, they were just good at their craft which attracted mainstream artists. Thats why im fine with them but wouldn't be as cool with people like Max Martin, Benny Blanco or Stargate, who are pop producers through and through. Unfortunately I have no idea who any of those people are
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Post by themanwholivesinhell on Apr 28, 2020 17:23:06 GMT -5
If Im honest, the reason why I don't mind Liam working with Kurstin and Wyatt is both were more experimental/indie musicians first, Kurstin with The Bird and The Bee, Wyatt with Miike Snow. A bit like Gregg Alexander with New Radicals i suppose, they were just good at their craft which attracted mainstream artists. Thats why im fine with them but wouldn't be as cool with people like Max Martin, Benny Blanco or Stargate, who are pop producers through and through. Unfortunately I have no idea who any of those people are Theyre those producers who are often called 'hitmakers', basically they make outright commercial pop and they know it. Responsible for stuff like Britney Spears' 'Oops I Did It Again' and 'Baby One More Time', Taylor Swift's 'Shake It Off', Maroon 5's 'Moves Like Jagger', Katy Perrys 'Roar', Ed Sheerans 'Castle On The Hill' to name a few. Max Martin is literally tied with George Martin for producing the most US no 1s, and only behind John and Paul for writing the most. That probably gives you an idea.
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Post by World71R on Apr 28, 2020 17:33:14 GMT -5
Unfortunately I have no idea who any of those people are Theyre those producers who are often called 'hitmakers', basically they make outright commercial pop and they know it. Responsible for stuff like Britney Spears' 'Oops I Did It Again' and 'Baby One More Time', Taylor Swift's 'Shake It Off', Maroon 5's 'Moves Like Jagger', Katy Perrys 'Roar', Ed Sheerans 'Castle On The Hill' to name a few. Max Martin is literally tied with George Martin for producing the most US no 1s, and only behind John and Paul for writing the most. That probably gives you an idea. Castle on the Hill is a damn fine song but yes, it was penned by Max Martin. If you've ever asked yourself, "Hmm, why does a lot of pop music sound similar?", it's likely because he's penned many of the songs you've probably heard in your last pop music listening session.
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Post by themanwholivesinhell on Apr 28, 2020 17:43:24 GMT -5
Theyre those producers who are often called 'hitmakers', basically they make outright commercial pop and they know it. Responsible for stuff like Britney Spears' 'Oops I Did It Again' and 'Baby One More Time', Taylor Swift's 'Shake It Off', Maroon 5's 'Moves Like Jagger', Katy Perrys 'Roar', Ed Sheerans 'Castle On The Hill' to name a few. Max Martin is literally tied with George Martin for producing the most US no 1s, and only behind John and Paul for writing the most. That probably gives you an idea. Castle on the Hill is a damn fine song but yes, it was penned by Max Martin. If you've ever asked yourself, "Hmm, why does a lot of pop music sound similar?", it's likely because he's penned many of the songs you've probably heard in your last pop music listening session. I didnt adore it, but when it first came out i didnt mind it. Certainly liked it more than Shape of You and Galway Girl. But yes, a lot of these mainstream pop producers dont particularly adapt to their artist. I think that may be one reason Warner suggested Kurstin , as compared to a lot of his peers he is more versatile, and wouldnt make Liam sound like a contemporary pop star. Thats likely why people like Beck, Foo Fighters and McCartney wanted him as well.
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Post by Mr. Bigglesworth on Apr 29, 2020 7:18:47 GMT -5
You and me both. Would be the perfect collaboration. Anyone collaborators who aren't big, top 40-centric pop songwriters is good by me. The songs seem to have more soul and feeling to it when Liam is more closely involved in coming with the bones of the songs, and I think that's what WMWN? was missing. If you wanted to stick close to the top 40 sphere, get someone like Jack Antonoff. Otherwise, get someone like Gregg Alexander, Johnny Marr, or even Damon Albarn (wouldn't that be something?), who will bring a certain rock feel to the songs that doesn't instantly sound like it came straight from the past like several WMWN? songs fell into. Hell, one collaborator that would be amazing is Kevin Parker. That combination has potential, judging by Doesn't Have to Be That Way and Tame Impala's work. But kevin Parker himself turned to Pop far too much with the last tame Impala Album in my opinion.
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Post by leron on May 2, 2020 4:58:24 GMT -5
Wow, almost three years since wall of glass was released.. It was such a beautiful time. Even though I think WMWN is better than AIW, AIW will always have a special place in my heart. Every time I hear the intro of wall of glass I got chills, it's like "Hey, LG's back"
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Post by GlastoEls on May 2, 2020 5:05:02 GMT -5
Wow, almost three years since wall of glass was released.. It was such a beautiful time. Even though I think WMWN is better than AIW, AIW will always have a special place in my heart. Every time I hear the intro of wall of glass I got chills, it's like "Hey, LG's back" Spot on.
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Post by megyesitomate on May 2, 2020 12:37:08 GMT -5
While I love WMWN, the album version of Be Still is one of the worst songs he's ever sung on in my opinion.
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Post by uboasis on May 2, 2020 12:42:35 GMT -5
While I love WMWN, the album version of Be Still is one of the worst songs he's ever sung on in my opinion. Agreed
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Post by World71R on May 2, 2020 20:49:03 GMT -5
I was playing Once and loved playing and singing it, but the melodies in it just remind me of how Once feels like the song Death Cab for Cutie has been trying to write for years and years to no avail. They should cover it, or even just Ben Gibbard. I think he would do a damn fine rendition of it.
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Post by Derrick on May 3, 2020 12:21:36 GMT -5
Son of a gun, what have you done today?
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Post by Jack on May 4, 2020 9:33:17 GMT -5
Liam's got fat again.
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Post by Bonehead's Barber on May 4, 2020 9:47:41 GMT -5
While I love WMWN, the album version of Be Still is one of the worst songs he's ever sung on in my opinion. Hate that tune. Absolutely awful. No idea why people rate it
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