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Post by Deleted on Sept 11, 2019 13:54:54 GMT -5
wtf I love Pitchfork now. Very accurate review.
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Post by oneofus on Sept 11, 2019 14:39:55 GMT -5
Holyshit they gave it Zero lol Don't get it. The album was not bad.
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Post by chamu on Sept 12, 2019 3:22:40 GMT -5
Another review. Another good opinion about the album themildmanneredarmy.com/2019/09/11/why-me-why-not-liam-gallagher/ALBUM REVIEW, LIAM GALLAGHER, MUSIC, OASIS WHY ME, WHY NOT – LIAM GALLAGHER SEPTEMBER 11, 2019 BY LAIRD1973 whymewhynot “Rejoice greatly, O sons and daughters of the Parka King, O children of the madferit, behold thy King come unto thee: he is just and brings rock ‘n’ roll salvation; lowly and riding under his own steam…” Why him? Because nobody, and I do mean nobody, does it any better. Why not? Exactly. Let’s forget about the trouble and strife with you Noel who and focus instead on why anyone still cares about a new record from a man who doesn’t really play an instrument, who doesn’t really write songs and who, increasingly, has to take greater care of his voice lest it give out and give up from beneath him. It’s easy really. We care because he does. In a time when people can move with ease between X-Factor pop star wannabe to reality show star to social media “influencer” to “Celebrity” jungle shenanigans the one thing we all crave is…authenticity. You don’t have to like Liam Gallagher. You don’t have to fill your wardrobe with Pretty Green clobber (I’d actively discourage such a decision) and start doing the walk. You don’t have to choose the haircut…even Liam is past that. But what you do have to do is appreciate the fact that here is somebody who has remained entirely consistent from the moment he arrived with a magnesium flash of a performance on The Word in 1994. His is a blind faith, a devotion to his own rock ‘n’ roll vision; John Lennon, John Lydon and him with splashes of other things added to the mix for flavour. When he sang the words to “Rock ‘n’ Roll Star” he wasn’t singing the words his big brother had written for him…he was channelling his own manifesto. So here we are, twenty-five years after he first entered our lives and with his second solo album, a follow up to the massively successful “As You Were” and what everybody wants to know is; is it any good? The short answer to that is…yes. It really is good. There will be detractors and doom merchants who will pick and nitpick at the edges but, genuinely, this is good. First things first. Don’t expect anything “new”. Liam isn’t going to go all “Black Star Dancing” on your ass anytime soon…or anytime ever for that matter. Why should he? He’s not interested. That’s not him. He isn’t here to push things forward, he isn’t here to expose his experimental tendencies, he isn’t here to chart unexplored territory; he’s here to sing songs, give you a good time and make you feel ten feet tall while he is doing it. That’s who he is. That’s what he is. Good. So you already know you are going to get nods to The Beatles, Lydon, The Stooges, glam stompers and punk rock at its most melodic. At times that is an intoxicating mix with things like the title track soaring over and sinking into its inspirations. A curious thing about “Why Me, Why Not” is the fact that the best version of one of the best tracks isn’t the one that features on the album. The piano version of “Once” that was recorded for Radio One was a thing of tenderness, heartbreak, honesty, pain and hope all at once. Stripped back and laid bare Liam was able to deliver one of his finest vocals and while the lush orchestration and superb production on the album version is a beautiful thing, I would have preferred something more intimate, less fussy and more “real”. The album opens with “Shockwave” which is a magnificent mess of early Who mashed together with a swamp song blues groove. While the songs on “As You Were” highlighted, for the doubters, quite how good he could be there were moments where the voice sounded…strained? Like he was having to work for every note…things that were once in the palm of his hand were not just within reach. But on “Shockwave” his voice sounds sweet, strong, confident, melodic and pure. I don’t think you need to look too closely to find the “hidden meaning” in the lyrics. Anger is an energy. That’s what Lydon told us…and he was right. Here that energy has brought new life into Liam, he is channelling it, moulding it, bending it to his will, instead of allowing it to control him…this is the sound of a man on a mission, a man with a message, a man with a point to prove and far from ranting and raving, like a loon at Speaker’s Corner, he is preaching, testifying and healing all at the same time. More than one early review has pointed out that for all the casual, and sometimes not too casual, dismissal of the Beady Eye era from Liam one of the most engaging and, frankly, fun moments on the album is “Halo” which is a close, but not too close, relation to “Bring the Light”…all plonkin’ and plinkin’ piano with a pinch of recorder thrown in; which is dangerously close to having a scissor solo in my book. The highest peaks on the album are the already released “One of Us”, “The River” and “Gone”…each one different and yet bound by some musical thread. Along with “Once” these are also the moments where Liam sounds strongest. If he were to play those four back to back on the tour there would be few dry ears and even fewer people with their vocal chords intact. That sounds great actually…Liam? “Why Me, Why Not” is easily the match of “As You Were” and it would be difficult to argue with someone who said it was the better of the two. Together they give Liam a body of his own work that, while it can’t match the impossible highs of Oasis, draws him closer to somebody else who was in that band. That is down to both his own drive and the work of the musicians he has drawn close to…while they may all sail under the Liam Gallagher banner they are, increasingly, becoming a band. Anyone who was waiting for Liam to crash and burn, for “As You Were” to be a flash in the pan or a last hurrah, for the opportunity to indulge in a Twitter pile on is going to be really upset when they hear this. The Parka Monkeys would have lapped it up even if had been no better than a Beady Eye b-sides collection so that just leaves people like me; people who really only care about the music, who have no axe to grind, who don’t deify Liam. For those people this is a treat, a delight and a welcome addition to their record collections. He’s back and he’s just as good as we always wanted him to be.
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Post by leron on Sept 12, 2019 3:54:04 GMT -5
Another review. Another good opinion about the album themildmanneredarmy.com/2019/09/11/why-me-why-not-liam-gallagher/ALBUM REVIEW, LIAM GALLAGHER, MUSIC, OASIS WHY ME, WHY NOT – LIAM GALLAGHER SEPTEMBER 11, 2019 BY LAIRD1973 whymewhynot “Rejoice greatly, O sons and daughters of the Parka King, O children of the madferit, behold thy King come unto thee: he is just and brings rock ‘n’ roll salvation; lowly and riding under his own steam…” Why him? Because nobody, and I do mean nobody, does it any better. Why not? Exactly. Let’s forget about the trouble and strife with you Noel who and focus instead on why anyone still cares about a new record from a man who doesn’t really play an instrument, who doesn’t really write songs and who, increasingly, has to take greater care of his voice lest it give out and give up from beneath him. It’s easy really. We care because he does. In a time when people can move with ease between X-Factor pop star wannabe to reality show star to social media “influencer” to “Celebrity” jungle shenanigans the one thing we all crave is…authenticity. You don’t have to like Liam Gallagher. You don’t have to fill your wardrobe with Pretty Green clobber (I’d actively discourage such a decision) and start doing the walk. You don’t have to choose the haircut…even Liam is past that. But what you do have to do is appreciate the fact that here is somebody who has remained entirely consistent from the moment he arrived with a magnesium flash of a performance on The Word in 1994. His is a blind faith, a devotion to his own rock ‘n’ roll vision; John Lennon, John Lydon and him with splashes of other things added to the mix for flavour. When he sang the words to “Rock ‘n’ Roll Star” he wasn’t singing the words his big brother had written for him…he was channelling his own manifesto. So here we are, twenty-five years after he first entered our lives and with his second solo album, a follow up to the massively successful “As You Were” and what everybody wants to know is; is it any good? The short answer to that is…yes. It really is good. There will be detractors and doom merchants who will pick and nitpick at the edges but, genuinely, this is good. First things first. Don’t expect anything “new”. Liam isn’t going to go all “Black Star Dancing” on your ass anytime soon…or anytime ever for that matter. Why should he? He’s not interested. That’s not him. He isn’t here to push things forward, he isn’t here to expose his experimental tendencies, he isn’t here to chart unexplored territory; he’s here to sing songs, give you a good time and make you feel ten feet tall while he is doing it. That’s who he is. That’s what he is. Good. So you already know you are going to get nods to The Beatles, Lydon, The Stooges, glam stompers and punk rock at its most melodic. At times that is an intoxicating mix with things like the title track soaring over and sinking into its inspirations. A curious thing about “Why Me, Why Not” is the fact that the best version of one of the best tracks isn’t the one that features on the album. The piano version of “Once” that was recorded for Radio One was a thing of tenderness, heartbreak, honesty, pain and hope all at once. Stripped back and laid bare Liam was able to deliver one of his finest vocals and while the lush orchestration and superb production on the album version is a beautiful thing, I would have preferred something more intimate, less fussy and more “real”. The album opens with “Shockwave” which is a magnificent mess of early Who mashed together with a swamp song blues groove. While the songs on “As You Were” highlighted, for the doubters, quite how good he could be there were moments where the voice sounded…strained? Like he was having to work for every note…things that were once in the palm of his hand were not just within reach. But on “Shockwave” his voice sounds sweet, strong, confident, melodic and pure. I don’t think you need to look too closely to find the “hidden meaning” in the lyrics. Anger is an energy. That’s what Lydon told us…and he was right. Here that energy has brought new life into Liam, he is channelling it, moulding it, bending it to his will, instead of allowing it to control him…this is the sound of a man on a mission, a man with a message, a man with a point to prove and far from ranting and raving, like a loon at Speaker’s Corner, he is preaching, testifying and healing all at the same time. More than one early review has pointed out that for all the casual, and sometimes not too casual, dismissal of the Beady Eye era from Liam one of the most engaging and, frankly, fun moments on the album is “Halo” which is a close, but not too close, relation to “Bring the Light”…all plonkin’ and plinkin’ piano with a pinch of recorder thrown in; which is dangerously close to having a scissor solo in my book. The highest peaks on the album are the already released “One of Us”, “The River” and “Gone”…each one different and yet bound by some musical thread. Along with “Once” these are also the moments where Liam sounds strongest. If he were to play those four back to back on the tour there would be few dry ears and even fewer people with their vocal chords intact. That sounds great actually…Liam? “Why Me, Why Not” is easily the match of “As You Were” and it would be difficult to argue with someone who said it was the better of the two. Together they give Liam a body of his own work that, while it can’t match the impossible highs of Oasis, draws him closer to somebody else who was in that band. That is down to both his own drive and the work of the musicians he has drawn close to…while they may all sail under the Liam Gallagher banner they are, increasingly, becoming a band. Anyone who was waiting for Liam to crash and burn, for “As You Were” to be a flash in the pan or a last hurrah, for the opportunity to indulge in a Twitter pile on is going to be really upset when they hear this. The Parka Monkeys would have lapped it up even if had been no better than a Beady Eye b-sides collection so that just leaves people like me; people who really only care about the music, who have no axe to grind, who don’t deify Liam. For those people this is a treat, a delight and a welcome addition to their record collections. He’s back and he’s just as good as we always wanted him to be. Meh he didn't listen to the album "I haven’t actually heard the album but I’m fairly sure this will be bang on the money."
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Post by chamu on Sept 12, 2019 4:13:07 GMT -5
[/quote]Meh he didn't listen to the album "I haven’t actually heard the album but I’m fairly sure this will be bang on the money." [/quote] Uhmm...i hadn´t read this line. What´s the point of making a review if you haven´t listened an album?
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Post by Rolo on Sept 12, 2019 6:00:02 GMT -5
Holyshit they gave it Zero lol Don't get it. The album was not bad. Great tunes.
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Post by oasisserbia on Sept 12, 2019 9:25:06 GMT -5
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Post by mancraider on Sept 12, 2019 9:35:37 GMT -5
i understand your point, but tbh this forum is one of my safe spaces to get away from that little pink psychopath. Not cool dude.
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Post by mightyi on Sept 12, 2019 19:50:14 GMT -5
www.live4ever.uk.com/2019/09/album-review-liam-gallagher-why-me-why-not/Confident though he is, one suspects that even Liam Gallagher was taken aback by the success of his debut solo album As You Were. Both exciting and solid, the platinum selling album successfully played to his strengths, equally divided between plaintive ballads and classic rock and roll. The success that followed through big gigs, copious radio play and entertaining interviews made the UK fall in love with Liam all over again. But how best to follow that up? The novelty of his return has worn off, so now it’s got to be about the songs. As a minimum he has to consolidate. You won’t be surprised to learn that he’s generally playing it safe, but he’s now confident enough to tinker with the winning formula. Comeback single Shockwave is familiar territory though. It’s giddy glam rock that’s designed to play to his strengths with a verse cribbed from Spread Your Love by Black Rebel Motorcycle Club. A mighty chorus, a sneering middle eight (‘you’re a snake, you’re a weasel’ – wonder who that’s directed at?) and the overall message, ‘I’m back’. One Of Us pushes the boat out further, even if it’s just to the other side of the quay; the dramatic strings are reminiscent of Richard Ashcroft, accompanying a groovy bassline that channels Ian Brown, topped off with an earworm of a chorus. Having similar demographics, it’s a wise move and it’s possibly the best thing he’s put his name to in the last decade. The compulsory big ballad follows, Once being a little too on-the-nose Lennon-esque. Trite rhyming couplets don’t distract from the inherent beauty of the song, although we have been here many times before. As It Was (the documentary film) revealed Liam Gallagher to be the conductor of his previous album. Presuming they followed the same format for Why Me? Why Not. (and why wouldn’t they), then Gallagher has more ideas than he’s given credit for. Equally, as controversial as it is, the beauty of working with professional musicians is that their proficiency adds flavour. The title-track is pure White Album, apt given its source material (the album being named after a pair of Lennon paintings), while Meadow is all distorted vocals and dry acoustic guitars, but goes leftfield as it progresses before culminating with what sounds like a spaceship landing. We even get a boisterous spoken-word section at the end of Gone. A breezy freedom inhabits the album: Now That I’ve Found You is a message to his formerly estranged daughter Molly who re-entered his life a few years ago. It manages to combine Semisonic with Status Quo, which is probably not something you thought you wanted but is a pleasant surprise. Elsewhere, Alright Now skips everywhere melodically with a jaunty bridge and a Harrison solo as played by David Gilmour. It’s got no discernible chorus but that works in its favour. Halo is the spiritual brother of Beady Eye’s Bring The Light, driving honky tonk piano and a whistling breakdown which successfully masks some more lyrical clangers. The River rectifies this; a marauding beast taking the modern world to task (‘the device in your hand masks your beauty’). It goes without saying that, as good as these songs are, it’s Gallagher’s voice that makes some of them transcendent. At certain points he goes full falsetto, and his talent for perfectly pitching his vocals to compliment the music continues to be his greatest strength. He’s stated on record that he intends to take a break once this album has been toured, and indeed Gone has a tone that matches the lyrics in saying ta-ta for now. He’ll be departing on good terms. Gallagher knows his job is to move hearts and souls, and this album is possibly the most uplifting of the year. 8/10 (Richard Bowes) Horribly written-- worse, tedious.
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Post by mightyi on Sept 12, 2019 19:50:36 GMT -5
Cheers for the feedback.
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Post by yeayeayeah on Sept 13, 2019 0:45:55 GMT -5
I wish reviews wouldn't spend half the word count recaping shit about his life and just get to what the songs sound like.
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Post by Deleted on Sept 13, 2019 16:34:43 GMT -5
www.xsnoize.com/album-review-liam-gallagher-why-me-why-not/9/10 We all know the story so far. Well, you should do, unless you’ve been living under a rock since the mid-90s. A decade ago, the biggest band of our generation breaks up after a blazing backstage fight. The elder brother who was responsible for writing the hits sold over a million copies of his debut solo album. One can’t help but wonder if this move had been planned for years, with Noel Gallagher saving up his best songs from the 2000s for his own record rather than an Oasis album. Meanwhile, iconic vocalist and younger brother Liam carries on working with his remaining bandmates, relaunching as Beady Eye. However, while the critical response to the band’s first two albums was surprisingly positive, sales and attention was a long way off the stratospheric status of the Gallagher juggernaut of the 90s. With Beady Eye forever destined to be in the shadow of Oasis, and unable to reconnect with fans, it seemed like the younger brother would always be left in the shade by his elder sibling. A couple of years pass and Liam Gallagher returns under the banner of his own name, reclaiming the Oasis hits and reaffirming his status as the voice of a generation. His platinum-certified solo debut As You Were entered the UK charts at number 1, outselling the entire Top 10 combined. We are also probably all aware of the myth that “Liam is nothing without Noel”. For sure, the younger Gallagher has stated his desire for a reunion, but “without Noel” does not necessarily mean “on his own”. From the way some people talk, you’d think that Noel Gallagher was the only person in the world capable of writing a good song. Liam freely admits that “I’m not a guitar player or a prolific songwriter. I can write a few songs every now and again but I miss being in a band.” With the assistance of a rough-and-ready backing band and a few songwriting partners, the debut largely silenced many of the doubters. Its follow-up is even better, immediately marked by bolder songwriting, a more assured tone and undeniable confidence. Edgier and harder moments are balanced out nicely with heavily melodic indie rock bangers and anthemic slow numbers. It’s widely believed that Liam Gallagher was at his peak during the mid-90s. Vocally, perhaps, but essentially his “peak” consisted of singing brilliant songs written by someone else, in that example his older brother. In 2019, he is once again singing brilliant songs, but this time each co-written with a couple of prolific and talented songwriters. One of them, Greg Kurstin has been responsible for some of the biggest selling hits of the last decade. Gallagher is hardly working with amateurs, and clearly he himself has flourished as an author of music. He is a figure whose talent is greater than the sum of his parts. And now, you could argue that in terms of all-round ability, he has, in fact, come a very long way. Why Me? Why Not?‘ explodes into action with the strutting, tough, gritty glam of lead single Shockwave delivering an opening knockout punch, “keeping it dangerous” to coin a favourite Liam phrase. The shimmering introspection of One Of Us grows from a heartfelt groove into a huge gospel flavoured outro. While Noel’s solo material suggests that a reunion couldn’t be any further away, LG’s music offers hope for Oasis fans, as well as (of course) THAT voice, which is in magnificent shape here. The big Lennon-influenced ballad Once is a nostalgic tearjerker that provides a bona fide lighters-in-the-air singalong, while Now That I’ve Found You offers an enjoyable helping of joyous, carefree Britpop, and an irresistible chorus, coming across like a hybrid of ‘Help!’-era Beatles and The Stone Roses. Halo is reminiscent of an amped-up Beady Eye, pumping up the pace with its rampant ‘Lady Madonna’ piano. Hugely invigorating, it recaptures the “10 feet tall” vibe of Oasis at their best, Liam sounding so cool that he can even sing the word “mittens” and not sound ridiculous. Then there’s the stunning epic title of a title track. The sort of thing fans like myself patiently waited years for his old band to produce. Its mammoth strings and soaring melody make for something genuinely anthemic. Be Still switches to sturdy driving rock, powered by a Roses-like vibe. Its brilliance seems effortless, sounding like the work of someone who is genuinely on a roll. The ghost of George Harrison is felt all over Alright Now’s guitar solo, matching up wonderfully with powerful, reflective verses and lyrics that listeners will once again associate with the estranged relationship between music’s most famous siblings, particularly in the wake of Liam’s recent claims that “Noel is not happy right now”. Meadow’s floating psychedelic melancholia and mesmeric chords showcase a more subtle side to the record. Again it’s highly reminiscent of Harrison, with touches of ‘Dark Side Of The Moon’ period Floyd thrown into the mixture. In contrast, the thumping glam blues of The River finds Gallagher in defiant mood, spitting out unmistakable attitude, sounding every inch the tough, swaggering “prizefighter”. Indeed, prior to his solo debut, one suspects that even Liam himself didn’t think he could compete at the same level as his older brother. Here, he is fighting at the top of the game and not afraid to take anybody on. Featuring a very rare (and perhaps the first) example of spoken word, the mighty closer Gone sweeps into a glorious R.E.M-style waltz, delivering a striking finale. Certain critics will no doubt complain about the non-complexity of the lyrics and the lack of originality, but for what it is and based on its own merits, this is top class indie rock n roll. And in many ways, it’s Liam personified. A triumph. The resurrection continues in a confounding fashion.
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Post by Lennon2217 on Sept 13, 2019 16:54:08 GMT -5
Don't get it. The album was not bad. Keep in mind it has long been rumored that the guy who wrote that Jet review, Ray Suzuki, is not a real person. Try to google him and you get nothing. He "wrote" two Pitchfork reviews as a "staff writer" in 2003 and 2006. Nothing else. This was still in the era of Pitchfork being snobs and trashing bands to get attention. They hardly do anything like this anymore.
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Post by alwaysnow on Sept 13, 2019 17:16:01 GMT -5
Wow! That review got me excited.
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Post by oneofus on Sept 13, 2019 17:54:05 GMT -5
This is a wonderful review Wow! That review got me excited.
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Post by durk on Sept 13, 2019 20:18:32 GMT -5
oneofus ... see 'mighty closer' and 'striking finale' ^^ hah
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Post by oneofus on Sept 13, 2019 22:18:39 GMT -5
Yes thought of you when I read it lol oneofus ... see 'mighty closer' and 'striking finale' ^^ hah
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Post by leron on Sept 14, 2019 4:02:42 GMT -5
Another extremely positive review, can't wait to listen to the whole album!
Btw they gave ayw 7/10
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Post by Deleted on Sept 14, 2019 4:16:26 GMT -5
“We all know the story so far. Well, you should do, unless you’ve been living under a rock...” and then it goes on to tell us anyway. When will they all move on from Oasis split/reunion rumours/Liam’s lost years. It’s time. Liam is good enough to be Liam, not constantly referred to as Liam solo. I do this myself and I need to stop. We don’t hear the term “Paul McCartney solo” etcetera etcetefuckinra! Sorry but this winds me up.
Apart from this, it’s a good piece of writing. Enjoyed reading it.
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Post by Deleted on Sept 14, 2019 4:55:27 GMT -5
“We all know the story so far. Well, you should do, unless you’ve been living under a rock...” and then it goes on to tell us anyway. When will they all move on from Oasis split/reunion rumours/Liam’s lost years. It’s time. Liam is good enough to be Liam, not constantly referred to as Liam solo. I do this myself and I need to stop. We don’t hear the term “Paul McCartney solo” etcetera etcetefuckinra! Sorry but this winds me up. Apart from this, it’s a good piece of writing. Enjoyed reading it. I agree, I almost stopped reading because of that. But it does describe the songs, so I decided to share it here.
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Post by The Escapist on Sept 14, 2019 5:48:43 GMT -5
“We all know the story so far. Well, you should do, unless you’ve been living under a rock...” and then it goes on to tell us anyway. When will they all move on from Oasis split/reunion rumours/Liam’s lost years. It’s time. Liam is good enough to be Liam, not constantly referred to as Liam solo. I do this myself and I need to stop. We don’t hear the term “Paul McCartney solo” etcetera etcetefuckinra! Sorry but this winds me up. Apart from this, it’s a good piece of writing. Enjoyed reading it. Well, to us he is. To all the people who have never had an internet-argument about Dave Sardy, he is and always will be "Liam from Oasis". I don't think that's a bad thing, though. It's a badge I'm sure the man himself would be proud to wear.
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Post by Deleted on Sept 14, 2019 6:14:40 GMT -5
“We all know the story so far. Well, you should do, unless you’ve been living under a rock...” and then it goes on to tell us anyway. When will they all move on from Oasis split/reunion rumours/Liam’s lost years. It’s time. Liam is good enough to be Liam, not constantly referred to as Liam solo. I do this myself and I need to stop. We don’t hear the term “Paul McCartney solo” etcetera etcetefuckinra! Sorry but this winds me up. Apart from this, it’s a good piece of writing. Enjoyed reading it. Well, to us he is. To all the people who have never had an internet-argument about Dave Sardy, he is and always will be "Liam from Oasis". I don't think that's a bad thing, though. It's a badge I'm sure the man himself would be proud to wear. Absolutely. I’d be the last to belittle anything about Liam’s former achievements. “Liam from Oasis” yes, that’s a big statement in itself and surely enough at this point in the context of a review of his second album?
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Post by GlastoEls on Sept 14, 2019 6:34:01 GMT -5
“We all know the story so far. Well, you should do, unless you’ve been living under a rock...” and then it goes on to tell us anyway. When will they all move on from Oasis split/reunion rumours/Liam’s lost years. It’s time. Liam is good enough to be Liam, not constantly referred to as Liam solo. I do this myself and I need to stop. We don’t hear the term “Paul McCartney solo” etcetera etcetefuckinra! Sorry but this winds me up. Apart from this, it’s a good piece of writing. Enjoyed reading it. I don't disagree, but Liam himself just released a MOVIE a couple months back with that exact narrative...... !
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Post by Deleted on Sept 14, 2019 6:36:07 GMT -5
“We all know the story so far. Well, you should do, unless you’ve been living under a rock...” and then it goes on to tell us anyway. When will they all move on from Oasis split/reunion rumours/Liam’s lost years. It’s time. Liam is good enough to be Liam, not constantly referred to as Liam solo. I do this myself and I need to stop. We don’t hear the term “Paul McCartney solo” etcetera etcetefuckinra! Sorry but this winds me up. Apart from this, it’s a good piece of writing. Enjoyed reading it. I don't disagree, but Liam himself just released a MOVIE a couple months back with that exact narrative...... ! Yeah, which was about a year late for production reasons. That should’ve been the end of the comeback story, for me anyway. I’m just bored of it being dragged up but I get why, I just think this album review doesn’t need it, and the author even said it themselves, but then went on to talk about it which is what annoyed me. Anyway I’m off to the beach, it’s scorchio here, arsed 😂
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Post by GlastoEls on Sept 14, 2019 6:48:53 GMT -5
Updating...
XS Noise: 9/10 Clash: 8/10 Plato: 8/10 Live4ever: 8/10 NME: 4/5 Q: 4/5 Mojo: 4/5
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